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Additional Professional Audio Roles

I've covered a lot of ground in my career and I've found that it can be a little daunting to try to fit it all on a bio page or a C.V. Instead I've opted to include some selected roles here for anyone who might prefer to dig a little deeper into my background.

Select Projects & Roles

Adjunct Professor – SAE Institute

2011 - 2012, 2022-Present

  • Adjunct Professor for two audio courses, currently

  • Previously taught intro audio course and held regular analog mixing workshops in SAE’s SSL room.

Courses

  • Studio Maintenance

    • Electronics/Circuit Theory, General Studio Repair

    • Dante/AOIP

  • Post-Production

    • All aspects of sound for picture 

    • Forensic Audio

    • Immersive Audio

  • Intro to Audio Engineering (taught in 2011)

    • Digital Theory

    • Basic physics for sound

    • Pro Tools

    • MIDI history + theory

Freelance FOH Engineer

2007 - 2020

I've spent years as an "on call" Front of House mix engineer filling in at venues around Nashville. I often mixed shows for bands that worked with me in the studio as well.

Select Venues

  • Schermerhorn Symphony Center

  • Mercy Lounge

  • The Basement

  • The East Room

Staff Engineer – "Historic" RCA Studio B

2009 - 2010

Responsibilities

  • Assistant engineer on multiple commercially released projects. 

  • Handled and maintained historic artifacts

  • Provided oversight for student sessions.

  • General client services

Staff Engineer – Ocean Way Nashville

2009 - 2010

Responsibilities

  • Work closely with Assistant Engineers on commercial session set up.

  • Provide oversight for student sessions.

  • General client services

Video Editing Services

I can do video editing for podcasts, social media clips, etc. and have many resources to contract video production services, if needed. 

Remote Broadcast Engineer – Clear Channel Radio

2006-2008

Responsibilities

  • Head Remote Broadcast Engineer for KNIX’s Tim & Willy, one of Phoenix’s top morning shows

  • Load-in and set up live broadcast for entire morning show which featured diverse content

    • Live music performances

    • Comedians

    • Actors

  • Locations often prevented unique challenges for sound quality and varied from NASCAR tracks to busy restaurants. 

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